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Photograph by John Peden
   
Bulldog's Black Beauty


Here’s one for the books. I first saw this guitar at a vintage show in Florida more than ten years ago, and contemplated it some; actually, I had a bad case of the “wants” just for its look and wildness, but couldn’t bring myself to spring for it. Monetary resources had to be parceled out carefully that weekend, no room there for “personal buys,” and I decided to pass, but boy, did I want it. Regretted it later, but felt I had to marshal my funds at the time, no choice. A year later, I’m back at the same show, same city, and there’s the same guy sitting at the same table, with the same guitar. This, I said to myself, is more than a sign: it’s written. So I start talking to the seller, see if I can get any kind of story from him, since “the story” is always such a big part of something that unusual, and he did indeed have one for me. Seems that he had gotten the guitar from his uncle, who just didn’t want it anymore, had no use for it. His uncle in turn had gotten it from a childhood friend who, as a young man, had borrowed some money from said uncle back in the late 1940s, maybe early ‘50s, in Michigan, where they lived. The friend, who went by the name of Bulldog, was shortly thereafter arrested for murder, convicted, and sent to the Southern Michigan State Penitentiary to contemplate his transgressions for a very long time.

Cut to about twenty-five years later and uncle gets a surprise visit from Bulldog, who has now been released after having seen the error of his ways. Bulldog, feeling great remorse at this point for having borrowed money which he had never repaid and still couldn’t repay, offers to give his guitar and its case, both of which he had spent the last twenty-five years totally covering in hand-tooled black leather, to uncle as restitution. They are TOTALLY covered, front, back, and sides a la Elvis, Waylon, and other ‘50s country music stars, with gorgeously done floral patterns, leaves, and vines, and the quality of the work is absolutely top-notch. This isn’t your amateur prison-style work: it’s highly professional, of a kind found only on the very best saddles, holsters, belts, etc. Uncle accepts, years later gives it to his nephew, who eventually sells it to me, and there it is, except I have one question: how did Bulldog ever convince those prison officials to let a convicted murderer have possession of all those sharp tools for all those years?



  "Matt's Collection" isn't really a collection at all; it's more like an accumulation. Forty-some-odd years of being around fretted (and some unfretted) stringed instruments has led to crossing paths with more than a few oddities, and odder-than-oddities, and when something calls out to you and says "please take me home", there's just no disregarding that call. Fortunately, this has happened to me many times over the years, and I've managed to acquire some wonderful pieces. Some look fabulous, some look strange, and every single one of them has a terrific story, known or not. None of these pieces are for sale; they're far too personal to me, and besides, I suspect that the sum total "worth" of them isn't much more than about twelve bucks in money, but in terms of what they are, each and every one of them is, as they say, priceless.

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